Whites Always Gotta Play The Pussy

[Westminster]

fh4zramXTZw&feature

[Count Sudoku]

But he did lose to the white boy!

[Mike]

I don't understand the title of this thread. Both the White reporter and Black boxer were acting exactly like one might expect. What was the White reporter supposed to do? Toss away his mic and try to beat down the Black boxer for being arrogant? By not doing so he's playing the pussy? GMAB.

[Westminster]

I don't understand the title of this thread. Both the White reporter and Black boxer were acting exactly like one might expect. What was the White reporter supposed to do? Toss away his mic and try to beat down the Black boxer for being arrogant? By not doing so he's playing the pussy? GMAB.

No, you tell him, Hey Nigger, The White Boy is Gonna Kick your Black Ass! So, forget you and the slave ship you road in on!

[O'Zebedee]

I don't get your gripe - the reporter is standing his ground and actually seems to be enjoying the confrontation.

Mind you, I have no idea what he's actually saying...

[O'Zebedee]

PS - my beard can beat up your beard.

[Westminster]

Get your head out of your ass! Black guy talks race war trash all day long, White guy never will, because they are afraid to.

[Mike]

No, you tell him, Hey Nigger, The White Boy is Gonna Kick your Black Ass! So, forget you and the slave ship you road in on!

Oh, I see. Thanks for clearing that up, tough guy.

[O'Zebedee]

Get your head out of your ass! Black guy talks race war trash all day long, White guy never will, because they are afraid to.

I'm ready for the race war.

Are YOU?

[Tellurocrat]

I don't get your gripe - the reporter is standing his ground and actually seems to be enjoying the confrontation.

Mind you, I have no idea what he's actually saying...
He was constantly repeating: "You will fight and you will lose." That's what I heard.

The black man came off as ignorant and retarded, so no biggie.

That wasn't a reporter btw - that was Joe Calzaghe, a Welsh boxer, who knocked Hopkins in a fight that took place after this confronation.

[Westminster]

This illustrates my point: WHITE GUYS ARE PUSSYS.

[O'Zebedee]

That wasn't a reporter btw - that was Joe Calzaghe, a Welsh boxer, who knocked Hopkins in a fight that took place after this confronation.

Yeah, he looked like a pretty capable guy - I know I'd think twice before calling him a "pussy."

[Westminster]

Yeah, he looked like a pretty capable guy - I know I'd think twice before calling him a "pussy."

He will never fight for his race, but The Black fighter already is. So, win or lose, he stood up for his race, but Whitey never does.

[O'Zebedee]

You should find that guy and tell him to "man up," Westminster.

[Tellurocrat]

Promo for the event, last year.

http://www.dailymotion.com/video/x5345t_hopkins-vs-calzaghe_sport

And actually, Calzaghe won by points. Looks like it was a boring fight.
m9SfWjk00cs

[Westminster]

Promo for the event, last year.

http://www.dailymotion.com/video/x5345t_hopkins-vs-calzaghe_sport

And actually, Calzaghe won by points. Looks like it was a boring fight.
m9SfWjk00cs

Right, so he is tougher than him and probably smarter than him, but when it comes to race, he will not fight. Hence, he's just another White Pussy.

[Westminster]

If Whites continue to play the pussy, Blacks will rule them. All their White brains and all their White muscles, won't matter.

[O'Zebedee]

I'm still not sure what you're suggesting, Westminster - if I see a black guy arguing with a white guy I should jump the black guy to show racial consciousness?

[Westminster]

I'm still not sure what you're suggesting, Westminster - if I see a black guy arguing with a white guy I should jump the black guy to show racial consciousness?

You seem like an idiot; you've missed the point. Perhaps you should lay off the sauce.

Of course, that is a place where cowards find comfort.

[Westminster]

For the Negro Boxer, race is more important than boxing. Hence, his statement, "I would never lose to a White Boy." Remember, losing the little boxing match, takes NOTHING away from that. What he is talking about is bigger than boxing and obviously, more important to him. However, the White Boxer, appears to care nothing for his race, only the little boxing match. How pathetic.

[O'Zebedee]

You seem like an idiot.

We can't all reach your lofty intellectual height, brother. Perhaps more study is in order.

On the other hand, maybe you've got a point - looking at the thread title before I clicked on it I thought the topic was about something else entirely.

[Westminster]

We can't all reach your lofty intellectual height, brother. Perhaps more study is in order.

On the other hand, maybe you've got a point - looking at the thread title before I clicked on it I thought the topic was about something else entirely.

I'm not surprised :rolleyes:

[O'Zebedee]

You really need to challenge me to a fight at a Missouri Walmart if you want to truly get your point across.

[Westminster]

You really need to challenge me to a fight at a Missouri Walmart if you want to truly get your point across.

I thought you shopped at Wilkinsons

http://corporate.wilkinsonplus.com/corp/default.asp?SubMenu=AboutUs

[O'Zebedee]

I thought you shopped at Wilkinsons

No, but I share their commitment to "simple, honest, family focused values of passion, teamwork, and thoughtful ambition."

[Westminster]

Again, when challenged by Blacks on race, Whites (regardless of how brave they fancy themselves or how willing they may be to bully other Whites) will not stand up to them. Hence, it is logical to conclude: they are afraid to. Thus, they deserve the label, "coward." Of course, their elites have led them to this and "racist" minorities have vigorously supported/advocated that. So, it isn't all White people's fault. Nevertheless, they are behaving like Cowards and hence, bear a significant degree of responsibility, for their behavior.

[Jake Featherston]

Get your head out of your ass! Black guy talks race war trash all day long, White guy never will, because they are afraid to.

Their fear is rational; if Blacks were punished for that kind of talk the way Whites are, Blacks wouldn't do it either.

[Jake Featherston]

I thought you shopped at Wilkinsons

http://corporate.wilkinsonplus.com/corp/default.asp?SubMenu=AboutUs

I don't know about that, but I do know that since the fall of 1993, Zeb has taken one hundred percent of his meals at Tim Horton's.

[Westminster]

I don't know about that, but I do know that since the fall of 1993, Zeb has taken one hundred percent of his meals at Tim Horton's.

Tasty! Unfortunately, Tom Horton's, like all corporates have bowed to the god of Multi-Cult,

http://www.timhortons.com/us/images/general/soccer-tout.jpg

[Westminster]

Their fear is rational; if Blacks were punished for that kind of talk the way Whites are, Blacks wouldn't do it either.

No doubt! American Men who served in The Calvary, had reason to fear Indians. Their savagery was renowned. The death of a captured soldier could be very long, very humiliating and very painful. Nevertheless, many demonstrated courage, despite the risk. However, there were many who were unwilling, due to their "rational fears" of torture and death. Thankfully, those who were willing, got the job done, for those who were not. We that follow them, owe them a great debt.

[Jake Featherston]

No doubt! American Men who served in The Calvary, had reason to fear Indians. Their savagery was renowned. The death of a captured soldier could be very long, very humiliating and very painful. Nevertheless, many demonstrated courage, despite the risk. However, there were many who were unwilling, due to their "rational fears" of torture and death. Thankfully, those who were willing, got the job done, for those who were not. We that follow them, owe them a great debt.

While I don't technically disagree with what you're saying here, it never-the-less comes off a trifle obtuse. I mean, what do you want me do to do? Assassinate a Congressman (most of them doubtlessly deserve it), in order to prove my Nordic valor? Please feel free to lead by example.

Hopefully, conditions will change to such an extent that some sort of meaningful resistance movement (whether licit or illicit) will emerge. But without a framework in which to operate, its difficult to imagine anything I can do to advance our cause, irrespective of my personal level of courage. If I were to hypothetically assassinate some worthless, multiculturalist, faggot Jew Congressman, for example, I would spend the rest of my life in prison (very likely culminating in my execution), while the system would likely grow stronger in response to my (aesthetically correct) deed. Men in the cavalry had a framework ie., the U.S. Army, in which to exhibit their bravery. And frankly, its a lot easier/less difficult to be brave, when all of society is cheering you on, and even paying you a salary.

[Westminster]

While I don't technically disagree with what you're saying here, it never-the-less comes off a trifle obtuse. I mean, what do you want me do to do? Assassinate a Congressman (most of them doubtlessly deserve it), in order to prove my Nordic valor? Please feel free to lead by example.

Hopefully, conditions will change to such an extent that some sort of meaningful resistance movement (whether licit or illicit) will emerge. But without a framework in which to operate, its difficult to imagine anything I can do to advance our cause, irrespective of my personal level of courage. If I were to hypothetically assassinate some worthless, multiculturalist, faggot Jew Congressman, for example, I would spend the rest of my life in prison (very likely culminating in my execution), while the system would likely grow stronger in response to my (aesthetically correct) deed. Men in the cavalry had a framework ie., the U.S. Army, in which to exhibit their bravery. And frankly, its a lot easier/less difficult to be brave, when all of society is cheering you on, and even paying you a salary.

Your first argument or "question" seems full of exaggeration. It is what they call, a strawman fallacy (it is possible to make one of those without consciously meaning to). The second one, which I put in bold, I think is the real point. After all, the Negro boxer will get "no" social disapproval for behaving like he did, from anyone. If the White boxer had responded in kind, he would most certainly been called a racist (a strong term of social disapproval) and found himself with very few defenders. He may have even had his boxing license threatened. I wouldn't be surprised if in some countries he could face a criminal charge. Like Don Imus found out, speech that Blacks don't like can get you fired. Thank God for people who still have the spine to stand up to this crap. They should be our heroes and role models.

[Westminster]

BVl5DKe5_5U

http://www.youtube.com/watch?v=BVl5DKe5_5U

[LarryMahan]

I know what your saying Westminster. I'd like to see white fighters take the Hector Camacho approach and say "bring on all the niggers".

[Empress Cheesatine]

Is this a matter of a white guy being a pussy or a nigger acting like a nigger and a white man acting like the more civilized one?

[il ragno]

I know what your saying Westminster. I'd like to see white fighters take the Hector Camacho approach and say "bring on all the niggers".

Whites must awaken their inner Puerto Rican or it's all over!

Of course, any white fighter who said "No way I could ever lose to a black bastard", or some similar sentiment, would be an ex-fighter in an eyeblink. No sanctioning body in the US or Europe would give him clearance for so much as a game of tiddly-winks after such a statement.

But that's not "cowardice", it's conditioning. For that matter, so is courage. Whether you want to call it the media, or the gestalt, or what-have-you, the prevailing culture - as shaped, guided, vetted and distributed exclusively by Jews - has, for a generation now, presented only strong, positive, empowering messages about blacks, as the rightful and eventual inheritors of the Earth; and only denigrating, subversive, defeatist messages about whites, who are presented as the bullies of human history on the precipice at last of receiving their richly-deserved historical comeuppance.

You can hit all the heavy bags you like, and bray like a donkey about "courage" and "cowardice" until you're hee-hawed out, but until the Jewish Question is confronted and solved, this doesn't change.

[LarryMahan]

Not even if the fighter was a undefeated top ranked fighter? Wouldn't they want to see the "racist pig" get his ass beat?

[Westminster]

Just like a Liberal to blame everything they fought for on "The Jews."

[Jake Featherston]

Just like a Liberal to blame everything they fought for on "The Jews."

Yeah, that's really the hallmark of liberalism; blaming everything on the Jews. Why, just the other day, I was listening to an anti-Semitic screed by Barney Frank, er, Barbara Boxer, er, Dianne Feinstein, er, Russ Feingold, er, Charles Schumer, er, Ron Wyden, er, Henry Waxman, er...would someone please feed me the name of a prominent liberal who ain't a friggin' kike!

Suffice it to say I've been paying pretty close attention to American politics since 1983, and I have NEVER heard any liberal/Democrat-type suggest that Jews were responsible for ANY of our problems, let alone all of them.

[Westminster]

Yeah, that's really the hallmark of liberalism; blaming everything on the Jews. Why, just the other day, I was listening to an anti-Semitic screed by Barney Frank, er, Barbara Boxer, er, Dianne Feinstein, er, Russ Feingold, er, Charles Schumer, er, Ron Wyden, er, Henry Waxman, er...would someone please feed me the name of a prominent liberal who ain't a friggin' kike!

Suffice it to say I've been paying pretty close attention to American politics since 1983, and I have NEVER heard any liberal/Democrat-type suggest that Jews were responsible for ANY of our problems, let alone all of them.

Liberals gave The Country away.

Face it, if Liberals hadn't decided that religion and race didn't matter, we wouldn't be in the mess we are in :nono:

[il ragno]

Here's why we're in the mess we'ere in.

On the one hand, "white men" like Westminster, Bill White, Lindstedt, Miller, ad fucking nauseum, all beating their chests and yelling Look upon me and tremble! to anyone they can get to stand still in front of them for five seconds.

On the other hands, Jews like Soros and Redstone and Kristol and Madoff - and even this idiot! - to whom the swindle, the double-cross, the false embrace, the artful lie, and all manner of deceit and trickery are second nature so woven into their makeup they cannot even summon the effort to pretend to condemn it.

http://www.thesmokinggun.com/archive/years/2009/0324091bruno1.html

MARCH 24--In the wake of the disclosure of how Sacha Baron Cohen uses front companies to trick Americans into appearing in his latest film, the comedian and his cohorts have deleted the web sites of purported production companies created for their latest cinematic ruse. However, records show that Cohen has more than two dozen other straw firms, all of which were created at the outset of production on the follow-up to the 2006 hit "Borat," which starred Cohen as a fictional Kazakh journalist (in his new Universal Pictures movie, Cohen appears as "Bruno," a gay Austrian fashion commentator). As TSG reported last week, Cohen & Co. set up four firms--Amesbury Chase Productions, Chromium Films, Cold Stream Productions, and Coral Blue Productions--and launched nearly identical web sites for the companies. In recent months, unwitting interview subjects have been asked to participate in a documentary for German television that was supposedly being prepared by a Los Angeles production company. To assure these rubes, Cohen's assistants have pointed to company web sites touting the firms's "world class facilities, and state-of-the art equipment." In fact, Cohen's companies exist on paper alone, and their shared address is a box at a Sunset Boulevard mailbox rental firm. Now, the four web sites--and several others subsequently discovered by TSG, like Longman Parke Productions--have been scrubbed of their content and left with blank pages (as seen above). The logos of the four companies are below, and screen grabs from the front pages of the now-erased sites are on the following pages. However, L.A. County Clerk records show that at least 27 other Cohen front companies were created in mid-2007. So while he has recently been forced to shutter some of these phony firms, Cohen can always hide behind such fabricated entities as German Youth Television, Rheinland Films, Channel 1 Switzerland, and Swiss Entertainment Television. And then there's always Deutsches Unterhaltungsfernsehen, which roughly translates to "German Entertainment Television."

http://i.cdn.turner.com/trutv/thesmokinggun.com/graphics/art4/0324091bruno1.jpg

Is it any wonder who's winning?

[Westminster]

The people we think of as "Jews" didn't invent lying :rolleyes:

[Westminster]

Who let them in?

Who fought for their Equality?

Who got them elected to office?

Who got us this Negro President?

Answer: LIBERALS, LIBERALS, LIBERALS!

And who are they?

Answer: for the most part, White men and women.

[il ragno]

Spring forth, Burly Protector, and SAVE us!

[Keystone]

Here's why we're in the mess we'ere in.

On the one hand, "white men" like Westminster, Bill White, Lindstedt, Miller, ad fucking nauseum, all beating their chests and yelling Look upon me and tremble! to anyone they can get to stand still in front of them for five seconds.

On the other hands, Jews like Soros and Redstone and Kristol and Madoff - and even this idiot! - to whom the swindle, the double-cross, the false embrace, the artful lie, and all manner of deceit and trickery are second nature so woven into their makeup they cannot even summon the effort to pretend to condemn it.



Is it any wonder who's winning? Aw, the poor hornswoggled whities.:( Just do what I do....answer any unsolicited question with "no thank you" or for the so inclined: "Go fuck yourself." Poor whitey. Poor il ragno. I'm cryin' for ya babe.

[il ragno]

Hmmmm.

Oh riiiiight - I forgot! Daylight savings time was two weeks ago - you're already back in nigger-hugging mode!

Now we all have to wait for your tv set to tell you all about the next Gaza massacre or inner-city bloodbath before you crawl back out of the ether again. Until then, you'll just skulk around any race-obsessed vBulletin board with an ongoing "What are you listening to?" thread like you were Casey von Kasem. But make no mistake: sooner or later, that massacre, that bloodbath, is bound to happen. They always do.

And when they do, by God, there'll be Keystone - pitchfork in hand, lustily shouting "enough is enough!" and using white man unironically in a sentence again. Lead pipe cinch.

[Petr]

Oh riiiiight - I forgot! Daylight savings time was two weeks ago
In Finland, it only begins tomorrow morning.


Petr

[Westminster]

Bottom line, Whites Always Gotta Play The Pussy and if they don't, Whites will not defend them. Furthermore, they will probably attack them.

You can blame minorities. Fine, they played a part. So did women! However, it wasn't them that sent The National Guard to integrate Southern Schools. That was a big White Male Democrat from Texas, who was a man's man. And, it was a bunch of big white men in combat boots that held the guns that forced White people to give the negros what they wanted.

You want to sit in your shit and whine about Donny Deutsch and Al Franken. Fine, but when does it end! "You" let the enemy in the gates and they took over. Now what are YOU gonna do?

[Helios Panoptes]

You want to sit in your shit and whine about Donny Deutsch and Al Franken. Fine, but when does it end! "You" let the enemy in the gates and they took over. Now what are YOU gonna do?

Complain on the internet ad infinitum like you do, intrepid leader?

[Blighter]

I'm ready for the race war.

Are YOU?

http://www.youtube.com/watch?v=Ec4IzowPYQ4&feature=related

[O'Zebedee]

http://www.youtube.com/watch?v=Ec4IzowPYQ4&feature=related

Wise words.

I'm standing with the white midgets - the rest of you can go to hell.

[Westminster]

Complain on the internet ad infinitum like you do, intrepid leader?

You could start by being less abusive. Particularly towards people who would like to see The West revived.

[Westminster]

http://www.youtube.com/watch?v=Ec4IzowPYQ4&feature=related

The way those two guys treated the dwarf; that's the way it is. It's a lost cause.

[Westminster]

Rhodesia, an English Colony, Became Zimbabwe. Rhodesia was nice; Zimbabwe sucks. These Whites, like The South Africans, were displaced by THEIR OWN WHITE BROTHERS AROUND THE WORLD.

iYDg3ofh7dM&feature

[O'Zebedee]

The way those two guys treated the dwarf; that's the way it is. It's a lost cause.

I take it back - I stand with the two prostitutes in the film.

Especially if they take care of me.

[Westminster]

I take it back - I stand with the two prostitutes in the film.

Especially if they take care of me.

I'm not surprised.

[Keystone]

Hmmmm.

Oh riiiiight - I forgot! Daylight savings time was two weeks ago - you're already back in nigger-hugging mode!

Now we all have to wait for your tv set to tell you all about the next Gaza massacre or inner-city bloodbath before you crawl back out of the ether again. Until then, you'll just skulk around any race-obsessed vBulletin board with an ongoing "What are you listening to?" thread like you were Casey von Kasem. But make no mistake: sooner or later, that massacre, that bloodbath, is bound to happen. They always do.

And when they do, by God, there'll be Keystone - pitchfork in hand, lustily shouting "enough is enough!" and using white man unironically in a sentence again. Lead pipe cinch. What's a cinch is the silly dichotomy of yours that superior whites are constantly being made fools of. The Retarded Giants. I wouldn't talk to anyone wanting an interview out-of-the-blue unless I see some credentials, like an "Action News 11" sat truck connected to the interviewer or somesuch other warning. If my fellow whiteskins are that stupid, they deserve what they get.

[Petr]

If my fellow whiteskins are that stupid, they deserve what they get.
This is non sequitur logic that Captain Marinesko also likes to spread around.

One can have a low opinion about the average intelligence of one's kinsmen, and yet be very keen on promoting their interests and protecting them from predatory outsiders. Does a father stop loving and protecting his young rebellious son just because the son treats him with disrespect and he himself thinks that the son is being stupid and immature? Blood is thicker than water.

A WN can also think that even though Whites are being exploitably credulous right now, a little education and training can greatly change their present character.


Petr

[il ragno]

What's a cinch is the silly dichotomy of yours that superior whites are constantly being made fools of. The Retarded Giants. I wouldn't talk to anyone wanting an interview out-of-the-blue unless I see some credentials, like an "Action News 11" sat truck connected to the interviewer or somesuch other warning. If my fellow whiteskins are that stupid, they deserve what they get.

Whatever, bro.

See you in a month, when you feel compelled again to remind us all that blacks can't be civilized and Jews can't be trusted. Til then, enjoy your delusons of common decency.

[O'Zebedee]

I'm not surprised.

Dammit, I hate it when you pwn me!

[Westminster]

Dammit, I hate it when you pwn me!

I like your avatar.

[O'Zebedee]

You damn well better - they don't make 'em like William Powell anymore.

And Mary Astor is pretty sweet as well.

[Westminster]

You damn well better - they don't make 'em like William Powell anymore.

And Mary Astor is pretty sweet as well.

What would you suggest, "The Kennel Murder Case (1933)?"

[O'Zebedee]

Well, yeah, that's a good one - but the first couple of Thin Man films (that's where the avatar is from) are essential viewing, as well as My Man Godfrey.

[il ragno]

Some excellent 30s racism in The Kennel Murder Case, however, as gruffly lovable cop Eugene Pallette demonstrates his impatient, often belligerent, distrust of Orientals at various points.

[Keystone]

Some excellent 30s racism in The Kennel Murder Case, however, as gruffly lovable cop Eugene Pallette demonstrates his impatient, often belligerent, distrust of Orientals at various points. "Some excellent 30s racism".

LAWL. Jesus Holy Christ you actually mine Depression Era movies for racist tidbits to post on an internet forum. Take a wee minute to consider what you're doing here.

[Julian Curtis Lee]

What badbye-busting scandal. Shame on you Ragno!

[Westminster]

William Powell had a supporting role in, "The Four Feathers" (1929), directed by, Merian C. Cooper (King Kong, Rio Grande w/John Ford) and Fay Ray was the starring lady. That movie is about a soldier, who learns to have courage. Although, he must be disgraced first.

[il ragno]

"Some excellent 30s racism".

LAWL. Jesus Holy Christ you actually mine Depression Era movies for racist tidbits to post on an internet forum. Take a wee minute to consider what you're doing here.

In Heaven's name - won't someone please think of the see-aitch-eye-ell-dee-ar-ee-enn!?!

[Westminster]

Don't we all enjoy mining old movies for racist tid-bits? :munch:

[Julian Curtis Lee]

Don't we all enjoy mining old movies for racist tid-bits? :munch:
I prefer mining old movies to see where, when, and how Jewish Hollywood began developing the propaganda themes now in full flower. A great one is the The Seven Faces of Doctor Lao from 1964 starring Tony Randall. It has everything, inserted fairly innocuously using humor, fantastic events, and the talents of Randall as the "teaspoon of sugar" for its basiclly anti-white message:

-- A foreigner/other race, a China man with funny, endearing accent, is the only charming and sympathetic character.

-- He is a fount of spiritual wisdom lacking in the Whites. An entire White town gets "spiritual insight" and salvation from the foreigner. The whole theme is that the "foreigner" shows up the inner truth about all the White people.

-- The Whites are bigoted and "racist' toward the China man. They are clueless, crude, and ignorant compared to him.

-- The foreigner befriends a White child and is the only person gentle and kind to the child, imparting lots of wisdom. The child's natural father is missing. The China man acts like his father.

-- The foreigner/other race is the repository of incredible mystical powers unknown to the Whites.

-- Almost every White character -- especially the important ones such as male patriarchs -- are presented as buffoons, hypocrites, devious, corrupt, ignorant, violent, etc. Even a dignified old white woman is presented as venal or whore-like.

-- The Whites include venal, dishonest competitors who commit crimes against each other. The biggest crime of the Whites is to destroy a printing facilities of a newspaper editor, i.e. attack the freedom of the press.

-- The "inner passion" of an "uptight" (moral, decent) White woman is "revealed" and "freed" by the wise foreigner as the foreigner takes the form of a lusty flute-playing half-beast (Pan). Only through the "freeing of her lust" is she perfected, redeemed, and made beautiful.

-- A wicked White fellow (a speculator trying to buy up the town) is turned good by the foreigner/other race.

-- To emphasize the "evil Whitey" thing, two White "louts" beat up an innocent Native American fellow. He is thoroughly noble, top-to-bottom, and handsomely casted. Oh, he is never drunk, but the "dumb white bigots" who beat him up are drunk. Classic! He is saved from the violence by the Chinaman happening by. Then they go bigoty on the Chinaman and harass him, and it's all clear how bigoty they are. It was this scene that hit me as, "Geez, Where have I seen this before? And so so many times since 1964!" and I realized the whole movie had almost a total schema, seen many times since then, for discrediting White people and instilling guilt.

-- The foreigner saves the entire down from destruction, then leaves, unthanked.

-- The movie ends with the foreigner, now larger than life like a spirit-in-the-sky, gently intoning his deep wisdom about life -- directed at the White child, who was the only "decent" person in the movie other than the China man..

It has it all, as if the whole anti-White propaganda formula. Watch it. What's insidious is that the whole thing is presented very charmingly; very entertainingly. As I watched it with one of my kids when she was young, I could see clearly how these ideas were getting insinuated into her mind as a world-view. I learned a lot from it about the schematic that's been in place for a long time now.

The only sop the movie gives to Whites is:

-- The beautiful female character is fully White. At this stage, the Jewish producers are making her black, mullatto, etc.
-- The one positive "hero" is still a White fellow, who gets the girl. At this stage, this is eroding and Jews are inserting black heroes and other types.

They obviousy couldn't get away with total obvious propaganda, so these two mainstays are present to allow for the other propaganda items to gradually insinuate themselves into the White mind. The China man is the "center of wisdom and goodness" in the movie; the Whites are all negative and dysfunctional, though presented as traditional archetypes of White society. (With the exception of the "romantic interest," the newspaper editor.) The White woman only becomes good when she gets in touch with her inner passion. Before that she is an unfortunate, oppressed woman, and not as attractive as she should be.

You can see a great many themes from the above list repeated, in a great many movies, since then.

[Jake Featherston]

William Powell had a supporting role in, "The Four Feathers" (1929), directed by, Merian C. Cooper (King Kong, Rio Grande w/John Ford) and Fay Ray was the starring lady. That movie is about a soldier, who learns to have courage. Although, he must be disgraced first.

I prefer the 1939 version; just saw it yesterday, in fact.

[Petr]

I prefer mining old movies to see where, when, and how Jewish Hollywood began developing the propaganda themes now in full flower. A great one is the The Seven Faces of Doctor Lao from 1964 starring Tony Randall. It has everything, inserted fairly innocuously using humor, fantastic events, and the talents of Randall as the "teaspoon of sugar" for its basiclly anti-white message:

-- A foreigner/other race, a China man with funny, endearing accent, is the only charming and sympathetic character
-- He is a fount of spiritual wisdom lacking in the Whites. An entire White town gets "spiritual insight" and salvation from the foreigner. The whole theme is that the "foreigner" shows up the inner truth about all the White people.
-- The Whites are bigoted and "racist' toward the China man. They are clueless, crude, and ignorant compared to him.
-- The foreigner befriends a White child an is the only person who is gentle and kind to the child, imparting lots of wisdom. The child's natural father is missing. The China man acts like his father.
-- The foreigner/other race is the repository of incredible mystical powers unknown to the Whites.
-- Almost every White character -- especially the important ones such as male patriarchs -- are presented as buffoons, hypocrites, devious, corrupt, ignorant, violent, etc. Even old women are presented as venal or whore-like.
-- The Whites include venal, dishonest competitors who commit crimes against each other. The biggest crime of the Whites is to destroy a printing facilities of a newspaper editor, i.e. attack the freedom of the press.
-- The "inner passion" of an "uptight" (moral, decent) White woman is "revealed" and "freed" by the wise foreigner as the foreigner takes the form of a lusty flute-playing half-beast (Pan). Only through the "freeing of her lust" is she perfected, redeemed, and made beautiful.
-- A wicked White fellow (a speculator trying to buy up the town) is turned good by the foreigner/other race.
-- To emphasize the "evil Whitey" thing, two White "louts" beat up an innocent Native American fellow. He is thoroughly noble, top-to-bottom, and handsomely casted. Oh, he is never drunk, but the "bigot whites" who beat him up are drunk. Classic! He is saved from the violence by the Chinaman happening by.
-- The foreigner saves the entire down from destruction, then leaves, unthanked.
-- The movie ends with the foreigner, now larger than life like a spirit-in-the-sky, gently intoning his deep wisdom about life -- directed at the White child, who was the only "decent" person in the movie other than the China man..

It has it all, as if the whole anti-White propaganda formula. Watch it. What's insidious is that the whole thing is presented very charmingly; very entertainingly. As I watched it with one of my kids when she was young, I could see clearly how these ideas were getting insinuated into her mind as a world-view. I learned a lot from it about the schematic that's been in place for a long time now.

The only sop the movie gives to Whites is:

-- The beautiful female character is fully White. At this stage, the Jewish producers are making her black, mullatto, etc.
-- The one positive "hero" is still a White fellow, who gets the girl. At this stage, this is eroding and Jews are inserting black heroes and other types.

They obviousy couldn't get away with total obvious propaganda, so these two mainstays are present to allow for the other propaganda items to gradually insinuate themselves into the White mind. The China man is the "center of wisdom and goodness" in the movie; the Whites are all negative and dysfunctional, though presented as traditional archetypes of White society. (With the exception of the "romantic interest," the newspaper editor.) The White woman only becomes "good" when she gets in touch with here "inner passion"
Interesting points, Mentious. By a weird co-incidence, I just recently read some enthusiastic praise for the book on which that movie is apparently based upon - "The Circus of Dr. Lao".

This writer proudly calls himself "a misanthrope" and loves the book. His viewpoint and yours provide an interesting contrast:

If you're my sort of misanthrope, reading this book is like discovering fire. Every tent contains a parable. Every wonder an allegory. There isn't a wasted word in the entire 150 pages; it all means something. Even the illustrator Boris Artzybasheff is a mystery. How did the author pick this guy? Who the hell is Boris Artzybasheff? He paints like Stanislav Szukalski, but I never heard of him before. What kind of artist is named "Artsy-whatever" anyway? Is this some kind of joke? Who the hell was Charles G. Finney? Wikipedia tells me he was a soldier adventurer reporter type of fellow; like Kipling crossed with Mencken. He was named after a famed tent revival preacher. His book indicates that he is the exact opposite sort of character. Here was a man who had no illusions about human nature. I'm pretty sure he was also a traveling fellow. Certainly, he knows about hiding mysteries in plain sight.

If you have any understanding, it is possible to have entire conversations with fellow initiates based only on references to the book. There are feelings and thoughts for which there are no words, but which are real and important feelings and thoughts which are evoked by this book. Modern conceptions of heroism and valour are everlastingly colored by what Homer wrote in the Iliad. Similarly, if you read the Circus of Dr. Lao, and I say to you, "I will stand there and watch her swim out into the tide," you will know I refer to the mermaid, and the ineffable feelings of loss and sadness and nostalgia and hope in that scene in the story. And you will know that no matter how well I describe my inexpressible feelings for the mermaid, some clown will ask me what the mermaid eats (seafoods -duh, she's a freaking mermaid, what the hell do you think she eats?).
http://lupoleboucher.livejournal.com/95122.html


Petr

[Westminster]

I prefer mining old movies to see where, when, and how Jewish Hollywood began developing the propaganda themes now in full flower. A great one is the The Seven Faces of Doctor Lao from 1964 starring Tony Randall. It has everything, inserted fairly innocuously using humor, fantastic events, and the talents of Randall as the "teaspoon of sugar" for its basiclly anti-white message:

-- A foreigner/other race, a China man with funny, endearing accent, is the only charming and sympathetic character
-- He is a fount of spiritual wisdom lacking in the Whites. An entire White town gets "spiritual insight" and salvation from the foreigner. The whole theme is that the "foreigner" shows up the inner truth about all the White people.
-- The Whites are bigoted and "racist' toward the China man. They are clueless, crude, and ignorant compared to him.
-- The foreigner befriends a White child and is the only person gentle and kind to the child, imparting lots of wisdom. The child's natural father is missing. The China man acts like his father.
-- The foreigner/other race is the repository of incredible mystical powers unknown to the Whites.
-- Almost every White character -- especially the important ones such as male patriarchs -- are presented as buffoons, hypocrites, devious, corrupt, ignorant, violent, etc. Even a dignified old white woman is presented as venal or whore-like.
-- The Whites include venal, dishonest competitors who commit crimes against each other. The biggest crime of the Whites is to destroy a printing facilities of a newspaper editor, i.e. attack the freedom of the press.
-- The "inner passion" of an "uptight" (moral, decent) White woman is "revealed" and "freed" by the wise foreigner as the foreigner takes the form of a lusty flute-playing half-beast (Pan). Only through the "freeing of her lust" is she perfected, redeemed, and made beautiful.
-- A wicked White fellow (a speculator trying to buy up the town) is turned good by the foreigner/other race.
-- To emphasize the "evil Whitey" thing, two White "louts" beat up an innocent Native American fellow. He is thoroughly noble, top-to-bottom, and handsomely casted. Oh, he is never drunk, but the "bigot whites" who beat him up are drunk. Classic! He is saved from the violence by the Chinaman happening by.
-- The foreigner saves the entire down from destruction, then leaves, unthanked.
-- The movie ends with the foreigner, now larger than life like a spirit-in-the-sky, gently intoning his deep wisdom about life -- directed at the White child, who was the only "decent" person in the movie other than the China man..

It has it all, as if the whole anti-White propaganda formula. Watch it. What's insidious is that the whole thing is presented very charmingly; very entertainingly. As I watched it with one of my kids when she was young, I could see clearly how these ideas were getting insinuated into her mind as a world-view. I learned a lot from it about the schematic that's been in place for a long time now.

The only sop the movie gives to Whites is:

-- The beautiful female character is fully White. At this stage, the Jewish producers are making her black, mullatto, etc.
-- The one positive "hero" is still a White fellow, who gets the girl. At this stage, this is eroding and Jews are inserting black heroes and other types.

They obviousy couldn't get away with total obvious propaganda, so these two mainstays are present to allow for the other propaganda items to gradually insinuate themselves into the White mind. The China man is the "center of wisdom and goodness" in the movie; the Whites are all negative and dysfunctional, though presented as traditional archetypes of White society. (With the exception of the "romantic interest," the newspaper editor.) The White woman only becomes "good" when she gets in touch with here "inner passion"

You can see a great many themes from the above list repeated, in a great many movies, since then.

Oh yeah, sounds like, "Kung Fu" with David Carradine. Sounds like you got the brainwashing figured out: for the kids, Your Kind are Trash, Be like another Kind; for the girls, you can only find true satisfaction in animal lust and that can only be unleashed by another Kind of man. Almost forgot: for the other Kinds, this is how to pick on Whitey and get ahead in America. In that movie, "Office Space" Kung Fu was their favorite show! :rofl: Big surprise, that movie was targeted directly at discouraged White Men.

For some reason, it makes me think of, "Cimmarron" with Richard Dix. He made the transition from silent to talkies. I thought that movie was an outline for The Progressive agenda in America: liberation of women, minority races and "religions." Richard Dix is great too! He's the guy on my avatar.

[Westminster]

Well, yeah, that's a good one - but the first couple of Thin Man films (that's where the avatar is from) are essential viewing, as well as My Man Godfrey.

Well, I've seen, "The Kennel Murder Case" and all I can say is, that was fun.